Garritan instant orchestra piano
- #GARRITAN INSTANT ORCHESTRA PIANO HOW TO#
- #GARRITAN INSTANT ORCHESTRA PIANO MOD#
- #GARRITAN INSTANT ORCHESTRA PIANO PATCH#
- #GARRITAN INSTANT ORCHESTRA PIANO SERIES#
#GARRITAN INSTANT ORCHESTRA PIANO MOD#
The beauty of it is that, rather than you having to load a complicated setup to achieve this, all the action occurs within a single patch.Ī good example is 'Complete Orchestration': this starts off as a quiet, woodwind-dominated timbre and opens up into a big, heroic, Hollywood-esque strings-and-horns soundscape when you push up the mod wheel. The most complex of them are found in the Blending Textures folder: these cleverly programmed confections contain multiple layers which can be crossfaded with the mod wheel or expression pedal, allowing you to switch or fade from one sound to another.
#GARRITAN INSTANT ORCHESTRA PIANO PATCH#
And though its patch menu lists familiar categories such as strings, brass, wind, choir, and so on (more of which later), what differentiates it from conventional libraries are patches that mix and blend instruments from different families. Rather than using solo instruments for ensemble building, as in GPO, Garritan Instant Orchestra contains pre-packaged combinations of instruments. In the words of its creator, "Instant Orchestra is about producing orchestral music instantly and easily.” Can such a complex and demanding task really be so simple? Let's find out. The resulting 1.87GB collection (which, like its predecessor, runs exclusively on the ARIA sound engine) is called Garritan Instant Orchestra, the title reflecting the short-attention-span, I-want-it-now world we live in. All in all, several orchestras and hundreds of players were involved. The samples for the new library were recorded over a long period in a variety of locations: in the Czech Republic with the Moravian Philharmonic Orchestra, and in New York and Seattle with US musicians. You can read the Sound On Sound review of GPO4/ARIA at /sos/jun10/articles/personalorchestra4.htm.Įncouraged by the popularity of his eponymous creation, Gary Garritan decided to make a sequel. In 2009, a fourth revision, GPO4, made users' lives even easier by porting the formerly Kontakt-formatted samples over to the simple-to-use ARIA sound engine (designed by the French company Plogue). Personal Orchestra's selling points were (and are) its low price, logical approach and thoroughly comprehensive instrumentation.
#GARRITAN INSTANT ORCHESTRA PIANO HOW TO#
Because of the library's small RAM footprint, large setups like this will load in less than 10 seconds!īack in 2004, Garritan Personal Orchestra enabled impecunious musicians to engage in the noble art of orchestral writing without having to take out a second mortgage to buy the samples, or attain a master's degree in computer science to work out how to use them. The ARIA player's main screen, showing a 16-way, fully multitimbral setup of instruments from Garritan Instant Orchestra. Get "Garritan Orchestra Explained" today.Instant Orchestra aims to take the pain out of creating orchestral parts - but can such an affordable library still produce the goods?
#GARRITAN INSTANT ORCHESTRA PIANO SERIES#
If you use either Garritan Personal Orchestra or Garritan Instant Orchestra for your compositions and or productions, this series should be at the top of your watch list. Eli doesn't forget about the Keyboards and Harps, he covers their different offerings, including how to use the Harp Gliss Packets MIDI data to determine tonality and quality of Harp glissandos.Įli wraps up the series with an in-depth look at the Garritan Instant Orchestra library and its extended instrument controls, as well as how to playback MIDI files within the ARIA player and record its output in both real-time and offline. Garritan Personal Orchestra Strings are then explained, showing you all about the various articulations and playing styles available, as well as Percussion instruments and their different play modes. Ensemble building 2.0 is next up and Eli shows you how the individual brass section players and overlays are blended to create unique performances. Solo Brass is also looked at, revealing tongue and legato articulations, dynamics and timbre controls and more. Next, Eli tackles the Performance Controls showing you how to manipulate the libraries in real-time using the Mod Wheel, Key Switches and more.Įli then explores the Solo Woodwind parameters to control vibrato speed, intensity note velocities, overlaps and much more. Follow along with Eli as he covers these stunning virtual libraries in the powerful ARIA player inside and out.Įli begins with an introduction to the series, the libraries in general and then dives deep into the power packed ARIA player, covering instrument slots, Info, effects and setting pages. Presented by music guru Eli Krantzberg, this series is all about Garritan Instant and Personal Orchestra virtual instruments.